Numerous scholars have explored the genre and its impact from various vantage points: Will Wright has examined the structure of the genre’s narratives, while Jon Tuska has offered more thematic critical approaches. Peter Stanfield has analyzed the role of “cowboy crooners” as exemplars of heartland values, while Ryan McMaken has focused on “commie cowboys” as cultural critique. While each of these is instructive when considering the genre in relation to American culture, the discussion becomes more complex when the genre is loosened from its cultural moorings.
Friday, January 10, 2014
My thanks to film scholars Cynthia J. Miller and A. Bowdoin Van Riper for mentioning my book Commie Cowboys in the introduction of their new academic book International Westerns: Re-Locating the Frontier: